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Posts Tagged ‘brand name development’

The ABCs of Media

In Brand Name Development, Brand Naming, Branding, Business, corporate naming, Naming on June 10, 2016 at 2:29 pm

Freeform_FrontPage_HiResIntent on upending the notion that their offerings were strictly family-friendly fare, ABC approached Lexicon to establish a new identity for their network – one that better reflected its fluid audience. The jump from such a descriptive name to a much more imaginative moniker – Freeform – certainly opened the door for the brand to stand for so much more. But it also represents a larger shift in the branding of new media; we are now in an era of entertainment where disruptive freshmen like Netflix and Amazon, which have a keen sense of brand, are seriously repositioning the incumbents. But let’s take a step back.

Readers of a certain age will recall a time when there were only four television networks: ABC, CBS, NBC, and PBS. These initialisms – or acronyms – stood for descriptive names, American Broadcast Corporation, Columbia Broadcast System, National Broadcast Corporation, and Public Broadcast Service, respectively. These three-letter names were a comfortable choice for these networks: they reflected the established practice of call letters for radio and television stations. They were also developed at a time when such limited choice on the airwaves did not drive the need for differentiation.

Then, as more content and offerings started to emerge, a little personality started to emerge in the space, as well. In fact, it was in this world of acronym entertainment that Pat Robertson’s Christian Broadcast Network came to life, with one of its properties being CBN Satellite Service – the channel that would one day become Freeform. During this epoch, other channels in the developing cable world started to present distinct personalities, too: TMC (The Movie Channel), HBO (Home Box Office), and Showtime.

All the previous initialisms to date – ABC, CBS, etc. – had corporate-sounding names as the basis of their abbreviations. But CBN, TMC, and HBO were different: the names of the networks were descriptive of the content itself. This then became the standard in the emerging world of cable networks, and necessarily so; in a world of four channels, it is easier for one of those channels to distinguish itself via its content alone. In a world of tens or hundreds of channels, more communicative names become a necessity to distinguish a network for both viewers and advertisers. Previously, the names only had to identify the source, but in the crowded landscape, they needed to capture the experience, as well – an experience that felt fresh and different.

But HBO and CBN were still familiar initialisms; Showtime wasn’t. Showtime was a suggestive name, evoking the excitement of going to the movies. And it wasn’t reduced to three initials. Its success would help contribute to the dominant approach to naming new (and rebranded) networks. Some of these new network brands would incorporate initialisms (MTV, VH-1, A&E, and HGTV, for example) but many wouldn’t (the History Channel, Bravo, the Discovery Channel, and the Disney Channel). CBN was no different, rebranding itself first as The CBN Family Channel, then later simply The Family Channel. Subsequent acquisitions brought us Fox Family Channel and then ABC Family.

Thus, this new distribution platform (cable television) that allowed a great proliferation of networks changed the naming conventions and the way media outlets thought about establishing a distinctive brand. It then comes as no surprise that this would happen again with the advent of video streaming and ubiquitous access to content via web and mobile. Soon new network brands would begin to eschew descriptive and suggestive names for more arbitrary or coined names.

The break began just before the 21st century with the launch of the TiVo digital video recorder. This new technology offering was not a television network, but it was the first shot fired in the television revolution that continues to this day. The disruptive technology was paired with a disruptive name, one that heralds the current craze for short, fun names. Networks began expanding into arbitrary or coined names, like Oxygen and Palladia. Soon the floodgates were opened and now we watch content on YouTube, Amazon, Roku, Hulu, and Freeform. Far from identifying the source or describing the content, these names evoke a brand experience.

As brands continue to compete for consumer share of mind, whether in entertainment, consumer electronics, or even food and beverage, the need for a powerful brand has become increasingly important. We are no longer in a four-brand marketplace, and the stakes are higher. Newer, more distinctive brands are needed to compete in a marketplace that includes digital streaming, the cable set-top box, and every app on your phone. ABC Family saw this need for newness and this need set the table for creating a bigger, more meaningful brand experience. Stay tuned.

-Alan Clark, Director of Trademark

Give Them Something To Talk About

In Brand Naming on July 28, 2015 at 3:26 pm

Imagine yourself at a cocktail party: the hum of music, the din of conversation, and the smell of high-end fragrances. As you swill your drink, a partygoer approaches you, exchanges pleasantries, and asks, “What are you doing RIGHT now, in this moment?” Later in the evening, another attendee strolls up, goes through the same acceptable small talk, and then puts to you, “What do you want to be doing in ten years, perhaps fifteen?” Which inquiry do you think would yield a richer, more interesting back-and-forth?

At Lexicon, we like to think of marketing as a conversation between a company and its customers, and the brand name as the opening line that starts that dialogue. Said another way, your verbal identity – which is that first interaction in the marketplace – sets the tone for how rich and meaningful the experience between your brand and your consumers will be.

To illustrate, try this mental exercise. Place these two names side by side: Internet Diamonds and Blue Nile. Then, while timing yourself, sit back, think about each, and write down whatever comes to mind. Focusing solely on the names, speculate on what each company does – or what you think they might do. Push a little more. What might their logos look like, their advertisements sound like, their packaging resemble, their print copy communicate?

Chances are you’ll have spent a few minutes, if that, on Internet Diamonds, and your list of associations and thoughts will skew short and uninspired. Why is that? It’s the brand-name equivalent of: “What are you doing RIGHT now?” It efficiently lets you know the core service, at a moment in time, but it doesn’t represent a bigger, growing brand experience. It doesn’t let the brand imagine what it could be.

Blue Nile, on the other hand, will likely occupy the imagination for a significantly longer period of time, inspiring a long list of vivid imagery and disparate ideas. An actual tributary of the massive north-flowing African river, Blue Nile takes the consumer’s mind to a myriad of places. You might go to the gaudy riches of the ancient Egyptian empire. You might picture an indescribably gorgeous mountain lake. You might even think of beautiful sapphires and diamonds right off the bat. This could be a hotel, a bar, or a resort. These rich associations all represent assets for the brand; they can lead to unbelievable storytelling, gorgeous visual identities, and compelling marketing. And it doesn’t lock the company into one core offering or one rigid positioning. That’s because the name is built around the idea of, “Where do you want to be?” – and it doesn’t respond with a definitive answer per se, but with wild and limitless imagination.

The reason for such a dramatic difference in richness of thought: the simple, elegant power of a brand name done right. All great brand names generate interest, set the tone, and most importantly, lead a person to a larger narrative – they don’t succinctly tell the entire story in one or two words. Some names accomplish this while being more suggestive, like Apple’s PowerBook or Sears’ Die Hard batteries. Others are more capacious, like Starbucks Coffee or Amazon. Nevertheless, they all have a few key characteristics in common.  First, they signal change. They stand up and shout that business is not as usual. Second, they don’t sound or look like their competitors. They don’t shy away from being different. Finally, they stimulate a rich network of neural associations. They want to support growth and interest.

The lesson for us is clear. For a brand name to be a strategic asset, it must add significant value from the day it is launched. A name must do more than simply tell the story of a product. A great name starts to weave a compelling narrative that is grander than the product itself – a narrative that can continue to evolve and develop.

We understand the appeal of descriptive names; they are easily accessible, they are safe, and sometimes are fitting. However, ultimately, they are one-dimensional and are therefore the beginning of a very brief conversation. A more provocative name, on the other hand, may not seem accessible at first, but it opens up the imagination of consumers and leads to that richer customer dialogue.

If you had asked the founders of Blue Nile way back when at a cocktail party where they might see themselves in ten years or even twenty years, they might not have known. They may have had aspirations, goals, benchmarks, and probably some zany ideas. But one thing is for sure: they probably didn’t see themselves opening their first brick-and-mortar, which is precisely what they have just recently done in New York. Try this last mental exercise: imagine the absurdity of walking into a physical storefront of of a company called Internet Diamonds.

Defy Description

In Brand Name Development, Brand Naming, Branding, Business, Food & Beverage, Naming, Trademark Law, Trademarks on March 10, 2014 at 3:05 am

Your brand name should be the one thing competitors can’t take away from you. That’s not the case if your name is too descriptive. The Trademark Trial and Appeal Board, the crime and punishment division of the United States Patent and Trademark Office (USPTO), doled out an important lesson last month.

Two lessons, really.

pretzel_crispsThe first was that, even though you may have a trademark for a number of years, as in the case of Pretzel Crisps, a brand of “flat pretzel cracker”, introduced in 2008 by the Snack Factory of New Jersey – you can still end up losing it, regardless of how well business is doing.

The second, and more important lesson, is that being too descriptive with your trademark can set you up for trouble…which is why Warren and Sara Wilson, the inventors of Pretzel Crisps are now likely scrambling to figure out what to do where the name of their popular snack is concerned.

The Pretzel Crisps name had already been relegated to the Secondary Register, which is a kind of trademark purgatory reserved for brand names deemed descriptive enough that only minimal protection can be offered. In this case, both the words Pretzel and Crisps are widely regarded as being generic and only the instance of the two words appearing together is considered to constitute a trademark.

But then snack food giant Frito-Lay, owned by Pepsico, decided to oppose the mark, arguing that Pretzel Crisps cannot be registered as a trademark because the phrase itself constitutes a generic term. “Like ‘milk chocolate bar’, the combination of ‘pretzel’ and ‘crisp’ gains no meaning as a phrase over and above the generic meaning of its constituent terms”, the company wrote in a motion to the USPTO back in 2010.

According to the New York Times, Princeton Vanguard, the LLC that owns Pretzel Crisp and Snack Factory, and filed for the trademark, has spent $1 million in legal fees. Not much, considering Pretzel Crisps has grown quickly, with over $100 million in sales in 2011. But it was a million bucks spent to find out that they no longer hold a trademark on their own name.

What the makers of Pretzel Crisps do next is anyone’s guess, but an expensive name change is one likely scenario. A scenario that could have been avoided by considering names that could have effectively supported the snack chips’ attributes and taste profiles, while steering clear of simply describing what they are.

— Lexicon Branding

Say What?

In Brand Name Development, Brand Naming, Branding, Business, Cars, corporate naming, Linguistics, Naming, Trademarks, Uncategorized on June 13, 2013 at 3:00 am

Just how important is a brand name’s pronunciation, anyway?

When names for a new product are being weighed, there’s usually nervousness around pronunciation. Still, think of the different ways people pronounce Porsche, Hermès, Zagat.

And don’t even get us started with l’Occitane.

Some brands succeed despite tricky phonetics–so tricky that pronunciations can still vary long after the brands have become established. Zagat’s intended pronunciation is “ZAG-it,” yet many of us go for the more exotic sounding “za-GAT.”

In Europe, thanks to its profusion of languages and cultures, variability looms even larger. When Lexicon was developing the name Azure for Microsoft’s cloud platform, a company officer in Germany worried that Azure could be pronounced a dozen different ways by non-native speakers. And that client probably wasn’t even aware that native Britishers say it at least four ways: “AZH-er,” “AZH-yoor,” “AY-zher,” and “AY-zhyoor,” Yet the brand has been extremely successful, even in Europe.

So how important is pronunciation?

More than anything else, brand names are about first impressions, so it makes sense to avoid any possibility of confusion when launching a new brand. But reasonable as that rule is, sometimes it’s better to violate it.

At the outset, Acura, Honda’s premium brand in the U.S., was accented like bravura and Futura by some people. Yet, thanks to early advertising that spread virally, and also thanks to the (intentional) resemblance to accurate, an unambiguous pronunciation was quickly established, and the brand, which now has been around for three decades, is still going strong.

The correct lesson to draw from Porsche, Hermès, and l’Occitane is that a brand already well-established in its homeland will transport more easily despite pronunciation issues. In fact, the name’s oddness may help its identity. Add Zagat to that list, should you consider New York City a homeland.

There is one type of pronunciation problem that seems to trip the marketer up more badly than the marketee: sounds and sound combinations that are normal in one language but distinctly odd in another.

Japanese doesn’t have the sound [l] (or “el”) and avoids most consonant sequences. This ought to create problems for a brand like McDonald’s, yet thanks to well-established conventions for dealing with foreign words, the name is actually straightforward for Japanese speakers: makudonarudo.

English speakers are no different: hors d’oeuvres is supremely easy for us to (mis)pronounce, though it remains a devil to spell.

Bottom line: avoiding pronunciation issues is a good idea, but some odd pronunciations or spellings are not as problematic as they may seem. In fact, sometimes a difficult name delivers a beneficial, attention-getting jolt.

— Will Leben, Chair of Linguistics

The Unbearable Lightness of Meaning

In Brand Name Development, Brand Naming, Branding, Business, corporate naming, High Technology, Linguistics, Naming, Trademark Research, Trademarks on January 3, 2013 at 3:00 am

When developing a brand name, how important is the meaning of the name? It depends. Sometimes a descriptive or highly suggestive name is appropriate. In those instances, finding a name with the right meaning can be critical to success. However, when establishing a brand that is intended to be a platform for a host of offerings or one that introduces a new idea to the marketplace, a word’s meaning may matter less than its connotations.

gazelle

Gazelle

Denotation is the dictionary definition of a word; connotation refers to the set of associations a word carries with it. Take the example gazelle. The denotation, or definition, of gazelle is “any of many antelope species in the genus Gazella”; people’s specific associations with the word will vary, but for most it will connote something swift and graceful.

Denotation is accessed via the left-brain, connotation via the right-brain. The difference is important. Just as music has more impact and immediacy than words, so too do the connotations of words in the right-brain have more enduring resonance than the definitions of the left-brain*.

Another example: the word silly meant “holy” hundreds of years ago. Now, it means “foolish.” But these are dictionary meanings. Over time, as contexts changed, the original denotation changed as well. But consider silly and holy: one strong connotation both words share is “innocent.”

While we can’t know with certainty what connotations silly had six hundred years ago, one of them was likely “innocent” and that connotation remains, despite the change in meaning.

But what does this all mean for brand names?

Two things.

First, when considering a brand name candidate, it makes sense to focus more on connotations and less on definitions. The fusion of a brand name to a product or service creates a new context for the word, and in this crucible connotations will stick. Definitions won’t. If you are considering Gazelle as a brand name, it pays to focus less on that particular animal and more on whether you want consumers to associate your product or service with something graceful and swift.

What’s more, sub-parts of words also have enduring connotations. When Lexicon developed Pentium for Intel, our research showed that pent connoted strength and power (think Pentagon), and the -ium ending connoted something scientific. It was a completely made-up word at the time, but it already had inherent connotations that would (and did) resonate in the market.

Second, we are learning more and more that we aren’t as rational as we would like to think and that our decisions are guided as much by our unconscious mind as they are by our rational mind†.

These right-brain connotations have more resonance with the unconscious than literal meanings. It’s a tough exercise: when confronted with a word, we immediately reference its literal meaning. You see it sometimes when a new brand is announced. When the iPad came out, everyone said it sounded like a women’s hygiene product.

Two years later, all that remains is the elegant simplicity of the name.

— Alan Clark, Director of Trademark, and The Lexicon Team

* Richard F. Taflinger, Taking Advantage: Consumer Psychology and Advertising (Kendall Hunt Publishing, 2011)

† University of Rochester. “Our Unconscious Brain Makes The Best Decisions Possible.” Science Daily, 29 Dec. 2008. Web. 2 Oct. 2012.

A History of Blends in Brands, from Early Hominids to Exencial

In Brand Name Development, Brand Naming, Business, corporate naming, Naming on June 4, 2012 at 3:06 am

What’s the strategy behind new corporate names like Advizent, Aspiriant, Exencial, and Fortigent? Is this a return to the wonkish, Latin-clad constructions of the era that begat Accenture, Agilent, and Altria? And if so, why?

Names like these have their share of detractors. But some defenders welcome them as empty vessels ready to be filled with content through advertising. We question, though, whether emptiness is enough if the vessel is clunky and misshapen. The real problem with these names, as I pointed out to RIABiz last month, is that they’re far from ideal if they’re intended to engender trust:

Completely made-up names are harder for people to get their heads around, as opposed to words they may know in another context, Placek says. An example would be the HighMark Funds, a set of mutual funds that Lexicon helped name. Both “High” and ‘Mark” are words that people already know and have well-established meanings.

Linguistic analysis sheds further light. Advizent and Aspiriant can be broken down into a verb stem, advise and aspire, followed by an ending common in nouns and adjectives that go back to Latin: -ent and -iant. Exencial fuses executive and financial. Fortigent must be the offspring of fortitude or fortify and intelligent. However you regard these creations, compare them to Grafik and StapleGun, the far more engaging names of the branding firms that developed a couple of them. Nothing awkward about Grafik and StapleGun. They burst with energy and imagery!

Blending two existing words into one as Excencial and Fortigent do is a lively part of today’s idiom, as we see from examples like staycation, fauxhawk, podcast, webinar, and fanzine. Blending reached a peak of sorts with the recent rise of New York Knicks phenomenon Jeremy Lin, whose name figured in coinages like linsanity, linfected, and over 400 others. A mainstay of the trend to blend is Stephen Colbert, whose nightly cable program is known for outrageous concoctions including a supposed Internet dating service for survivalists named Arma-get-it-on.

Despite a tendency to feel light or humorous when first coined, blends can make for very effective brand names. Groupon, Whispernet, and Pinterest are fairly recent yet widely recognized examples. Newer but far from humorous in intent is Udacity, which recently began offering some university-level courses on the Web, with plans for a vast expansion. The Web seems to offer an excellent tonal fit for blended names like these.

Foods are another category in which blends have made for successful brands. Rice-A-Roni, Count Chocula, and Croissan’wich are probably the most widely known, and the first goes all the way back to 1958. As linguistic entities blends in fact go back much further.

Scholars find them in Old English, and some even speculate that early hominids blended their grunts and calls as a way to expand their vocal repertoires. Blends are so much a part of English that – as with electrocute, from electric and execute; and ice capades, from ice and escapades – we may not even recognize them as blends after they have been in the language for a while.

Time may also take the edge off Advizent and Exencial, but if a new name is intended to initiate a conversation with the public, the developers of these artless, unwieldy names could have done a lot better.

— David Placek

Mondelez: A Rough Maiden Voyage?

In Brand Name Development, Brand Naming, Branding, Business, corporate naming, Linguistics, Naming on May 21, 2012 at 9:09 am

We have seen an enormous amount of press for Mondelez, the name planned for Kraft’s new snack division, to be spun off from Kraft’s grocery business. If in the marketing business any publicity is a good thing, then this is a good thing.

But the reaction has generally ranged from negative to mocking. The name, chosen from 1,700 candidates submitted by Kraft employees, blends mond (the root for “world” in some major European languages) with delez, stressed on the last syllable and intended to suggest delicious.

Some object to the new brand’s perceived clunkiness. Forbes.com jokes that we can recall the name better by associating it with a former Secretary of State, as in “Mondeleza Rice.”  A few commentators class this name with fabrications like Accenture and Altria. And rightly so. If a company is going to adopt a name whose message is obscure, why take three whole syllables to do so?

More ominously, in commissioning focus groups to judge Mondelez, Kraft apparently omitted Russians, even though the name needs to work globally. A number of Web sources note the name’s potentially vulgar connotations in Russian, where it can be broken down into something sounding like “monda-LEEZ.” We verified this with our Russian linguist, Fedor Rozhanskiy. To many Russians, manda is a slang word for “vagina.” Compounding the problem, “LEEZ” sounds like the Russian verb root for “lick.” The association is—unfortunately again—by far the strongest when, as Kraft intends, the last syllable is stressed.

Kraft’s official response has been a tad defensive. “The intention is for Mondelez to be a corporate name,” Kraft spokesperson Michael Mitchell is quoted as saying on several news sites, including nj.com. “It won’t be a consumer-facing name.” But given the reactions so far, we wouldn’t be surprised if Kraft ordered further testing before putting it to shareholders for official adoption.

That’s what we’d recommend, though we do wonder about the dust this case has stirred up. In what it seems to regard as a similar situation, the Huffington Post, citing the BBC, claims that “General Motors had to change the name of its Buick LaCrosse sedan in Canada after it found that the word LaCrosse is slang for masturbation in Quebec.” That’s not quite accurate. After learning that crosse was a slang term in Quebec, GM chose to introduce the car in Canada as the Allure. But in 2009 a new management canned the Allure brand and began to use LaCrosse in Canada as it does everywhere else in the world. The brand is doing well in Canada as elsewhere.

Navigating the globe with a brand name is a complex journey where language, culture, and marketing intersect. Very precise attention must go to details of pronunciation and to linguistic and social contexts that foster or temper disruptive associations. We’ve been navigating these waters for practically twenty years at Lexicon, where our GeoLinguistics service includes an international network of Ph.D. linguists that now numbers 77.

— Will Leben and The Lexicon Team

UPDATE: The London Times published an interview (6/5/2012) they held with Lexicon CEO David Placek. He remarked on the Mondelez name:

Mr Placek dismisses the name like a medieval guild member inspecting the craft of an amateur. “Mondelez…you hear ‘eaze’ like ‘sleaze’. I’m getting nothing from it. Maybe it would work for a restaurant.”

Understanding The “X” Factor

In Naming, Business, Branding, Cars, Linguistics, High Technology, Brand Name Development, corporate naming, Brand Naming on September 26, 2011 at 3:00 am

Not long ago Brand X was just a way to dismiss a brand as generic. (Or to diss competitors by not acknowledging them by name in commercials.) Then suddenly X acquired panache and power, as in Microsoft’s Xbox, Nissan’s XTerra, and The X Games from ESPN. What happened? The reasons go back to developments in the culture at large.

Logos for X Games, X Terra and XBoxSince the 17th century, x has served as an algebraic variable along with y and z, all chosen for their out-of-the-way position at the end of the alphabet. Scientific discoveries around the turn of the 20th century added uses of x that extended the algebraic meaning slightly:

  • x-ray, a term chosen by inventor Roentgen in 1896 for brevity’s sake.
  • X and Y chromosomes, named around the same time as the x-ray and again probably chosen for their out-of-the-way place in the alphabet.

The use of x for an unknown quantity crossed into a new cultural context around 1952, when Malcolm Little became the public figure Malcolm X, explaining that he replaced his slave surname with X to represent the unknown name of his ancestors.

Around the same time, x began to shift its meaning toward “restricted” and “special.” An early example is the x-rated movie. The Oxford English Dictionary traces this use to a 1950 British document suggesting a category of movie that children were to be excluded from. At the time, British ratings were set as U for “universal”, meaning anyone was welcome; A for “adult”, suggesting that children be accompanied by a grown-up; and H for “horror,” which meant only people over 16 could watch. Then nudity began to enter the picture, and in 1951 X replaced H to signify exclusion.

Next, X began making its mark on U.S. industry in a big way when, suddenly, the brand Xerox changed the game.

The Haloid Photographic Company, founded in 1906, changed its name to Haloid Xerox in 1958 and then to Xerox in 1961. Like the name Haloid, whose root halo meaning “salt” comes from Ancient Greek, the name Xerox was built on the Greek root xero meaning “dry,” creating a new term for a new printing technology: xerography – a novel technique of dry photocopying.

For a company to alter its name is a pretty big deal, involving major changes in advertising and loss in equity from the old brand. Fifty years ago, it was nothing short of heroic. But what an attractive name Xerox was, with an x on either flank. The changeover not only succeeded, it also gave x a new, futuristic connotation. Thus it was no accident that in 1972 the Standard Oil Company of New Jersey changed its name to Exxon, its double X signifying a radical break from the past.

By the 1970’s, the emergence of Xerox and Exxon had established a clearer trajectory for x: from merely expressing anonymity to symbolizing drama, power, and performance. To understand these developments better, Lexicon’s linguists analyzed X in a large sample of American English texts from 1990 up to today. We looked at X in three contexts:

  • As the second part of a two-part word (e.g., Gen X)
  • As the first part of a two-part word (e.g., X Factor)
  • As the first letter of a single word (e.g., Xena)

Categorizing the most frequent uses of X and examining patterns in their relative frequencies make it clear how X is changing in use and in meaning.

Here are the main trends:

  • Use of X across pop culture categories has been steadily increasing since 1990
  • Service/humanitarian usage of X has grown significantly
  • Use of X in technology is heaviest and continues to grow

Surprisingly, as X has become more common in the technology sector, its use has waned in the realm of science fiction, both in books and in graphic novels. This may be due to the reality of rapidly advancing technologies — where X was once seen as signaling the future, that future is now. Or maybe Marvel Comics’ X-men became so popular they essentially usurped the science fiction category for themselves.

Looking toward the new future, X in a new brand name will likely be viewed as entertainment-focused, or perhaps “tech-forward.” X may even come to express the bigger picture of a constantly interacting technology and humanity, the X Prize being a prime example.*

The evolution of x in brand names is not over. China’s role in global commerce has been expanding dramatically, and x appears in Roman transcriptions of many Chinese names. Examples include provinces like Xinjiang, Guangxi, and Jiangxi; large cities such as Xi’an, Xiamen, Wuxi, and Xiangtan; and surnames such as Xue.

This adds not just a new source of x words and potential new meanings to x. It also adds a new pronunciation. We’re used to pronouncing the xx in Exxon as the consonant sequence ks; the same for the final x in Xerox. Words that start with x we normally pronounce with a z sound — as in the words xylophone or the gas xenon. But the pronunciation of x in the Chinese examples above is different, often described as similar to the sh of sheep.

As our exposure to other world cultures expands, the meaning and pronunciation of X will no doubt keep shifting. With enough marketing clout to spread the message of a new pronunciation of x, the shame of being known as Brand X may well be a thing of the past.

Dr. Will Leben, Lexicon Director of Linguistics

*To understand these developments better, Lexicon’s linguists analyzed X in a large sample of American English texts from 1990 up to today. Corpus of Contemporary American English

How Far Will Your Brand Stretch?

In Brand Name Development, Brand Naming, Branding, Business, corporate naming, High Technology, Linguistics, Naming, Trademarks on July 14, 2011 at 5:05 am

Four simple rules to make sure your trademark is limber enough to play in the big leagues.

Clients looking for a new brand name often warn that it must be easy to spell (among a host of other concerns) when, in reality, that’s a consideration that can have little bearing on a brand’s ability to be embraced. Many brands these days are primarily encountered visually – be it on the web or through advertising – and when all a potential customer has to do is click a link to find out more, they don’t need to know how something is spelled. They just need to know how to get to the brand…wherever it may exist.

That said, not just any word will do.  There’s no substitute for thinking through the creation of your trademark, the strategy behind its launch and maintenance, and the many places where it might (and should) appear.

Getting In The Game

There are Four Simple Rules to follow that can help assure that your trademark can at least get in the game. (Caveat: Just because the Rules are simple to understand doesn’t make them easy to execute.)

Rule #1: The brand name must be distinctive.

Clearly, in today’s crowded marketplace, a new trademark has to have the power to be noticed. The only way to be effective is to gain the attention of consumers who are being avalanched in a glut of information. Whether it’s a real word seen in a new context, an invented brand name with no inherent meaning, or a word that’s been misspelled on purpose, distinctiveness in your category is key.

Rule #2: The brand name must be easy to search.

Once again, how important is spelling? Even when we’re saying that a trademark has to be easily searchable, you’ve got some latitude. Internet search engines such as as Google and Bing will return searches on misspelled words even while asking if you didn’t mean to look for the correct spelled version. Take out a letter here (such as in flickr) or substitute one letter for another (as with birst), and the world can still beat a path to your brand’s door.

Rule #3: The brand name must work across multiple media and web platforms.

Today you need to be reasonably certain that the name you’re creating will have to fit just as comfortably on the edge of a new handheld device as it would rolling up the side of the Goodyear blimp. One place today’s brands are likely to appear is on an app on an iPhone, Droid or other smartphone device. Keep in mind that the average “acreage” of an app button, for instance, measures 57×57 pixels.

That’s about the size of your pinky fingernail. What message can you get across on a billboard that size?

Coca-Cola is the best-selling soft drink in the world but the app that carries its name has little to do with the beverage. Instead, it’s the electronic equivalent of the old Magic 8 Ball – answering questions with a randomized selection of smug answers. One wonders why the company didn’t use their much shorter yet equally well-recognized brand name: Coke. By comparison, Vree is an app specifically designed for diabetes management by Merck pharmaceuticals. Created by Lexicon Branding, the Vree name is short and quick, while supporting the idea of being free from worry and free in general (the app doesn’t cost anything). The size of the name alone allows Merck to place it in advertising and other merchandising very easily, where it can begin to tell its own story.

Rule #4: The brand name must work well across many languages.

This may be the trickiest rule in the bunch. If you’re marketing on the internet — even if your product or service is locally-based — you are now reaching an international marketplace. And if the name for your offering means something offensive or even off-putting in another language, you could end up not only icing yourself out of that market, but others as well if the offensive translation becomes widely known.

Names that share familiar common roots, such as Latin, Greek or Sanskrit, tend to work well in many parts of the world. Even if the word isn’t clearly understood, there can be enough of the meaning coming through that the audience “gets” what your brand is about.

Where semantics (the meanings of words) falls down, other factors such as sound symbolism (a principle discussed previously in this blog) can help invented solutions such as Pentium, Febreze or Venza gain acceptance and take on the unique meaning that is your product or service no matter what country or web page in which it is encountered.

Can following the Four Simple Rules guaranteed success for your brand name? Of course not. There are many factors involved in bringing a successful new trademark to market, starting with whether the product or service you’re offering is something that people want to buy. But without a name that’s been built to be strong and flexible enough to deliver your message by means of whatever avenues are available, you’ll never get off the ground.

Lexicon Branding

Spelling Matters

In Brand Name Development, Brand Naming, Branding, Business, corporate naming, High Technology, Linguistics, Naming, Trademarks on March 22, 2011 at 3:00 am

Lexicon’s latest study reveals the effects of spelling on a brand name’s character

Does how you spell a word really matter? English is rife with spelling rules and idiosyncrasies – for example, there’s the old mnemonic “i before e, except after c.” But what about weird? And then there are the many ways that the string ough can be pronounced: cough, tough, though and through are the usual examples. It’s also the case that a single phonetic form can have a variety of spellings: take the first syllable in cyclone, cider, silo, and psychology.

The many ways English has of visually depicting sounds can also be used expressively. Consider innovations such as dogg and dawg. Being already entrenched in modern pop culture, these specific variations carry meaning beyond a simple canine referent. Apart from well-known examples such as these, though, do simple variations in spelling mean anything? At Lexicon, we’ve just discovered the answer: an emphatic Yes.

For over 15 years, Lexicon Branding has been conducting research and continually gathering data about how various features of words impact people’s perceptions, mostly in the field of sound symbolism. Our research in this field covers languages from across the globe and has led to the creation of successful brands like Dasani, Swiffer, and Febreze. In this new study, we investigated ways that spelling rather than sound contributes to a brand name’s character.

Google logoA couple things triggered our interest in spelling variation: One factor was the popular informal use of respelling in words like boyz, dawg, and kewl. Another was the intuition that Google looks a lot friendlier than Gugle.

Gugle logoWhat makes Google such a friendly-looking, fun-sounding name? Sounding like funny words such as giggle, wiggle, oodles, goo, and ogle certainly helps. Another endearing thing about the name Google is its spelling. The company’s founders report that they based the name on googol, a term used by mathematicians for a very large number. The founders add that they misspelled it.

Googol logoSince both Larry Page and Sergey Brin have Ph.D.’s from Stanford, we assume they’re kidding about the misspelling. But we in branding can learn a lesson from their wisdom: spelling matters.

Googol looks imposing and foreign. Google looks approachable—lovable, even. Around 60 English words end in gle (the exact number varies depending on which dictionary you consult). Almost none end in gol (some dictionaries list only googol). No wonder Google seemed more familiar even the very first time we saw it.

There’s more. Compare Google with the hypothetical name Gugle. Googling the latter actually turns up quite a few results, but the search engine’s creators actually had a choice between the two spellings Google and Gugle, and chose the first. Why, given that the two spellings have the same pronunciation? The oo – innocently repetitive, looking like an interjection, appearing in very common words – looks like fun, while u simply doesn’t.

Bearing in mind simple insights such as these, we designed a study to test several hypotheses about spelling. After surveying over 500 English speakers in the US on their views about a variety of coined names, we discovered that some spelling variations consistently and reliably communicate specific attributes.

The survey elicited respondents’ reactions to several pairs of fictitious brand names, each pair differing in one aspect of spelling – for example, a single vs. a double t somewhere in the name. The answers showed reliably that, among other things, products whose names had double letters were significantly more apt to be judged as having more features and capabilities. This means that people are likely to believe that a new smartphone called Zepp will have a more robust set of features than one called Zep.

It’s nice to see how these findings corroborate our intuitions about past Lexicon credentials, too. Take Dasani. Since it’s a made-up name, it could just as easily have been spelled Dassani or Dasanni and have the same pronunciation. In this case, though, a more robust set of features was not something we wanted to communicate with the brand name. In fact, either alternate spelling would have marred the name’s simplicity – and the simplicity and purity it projects onto the product.

Another hypothesis the study clearly supported was that the letter i is seen as more innovative than the letter y. For pairs of imagined brand names, such as a new laptop called Novix or Novyx, people tended to believe that the version with i would be more innovative. Marketers of real world brands Pixar, Audi, Nvidia and Nivea should be happy to hear this result.

We’re excited about the study’s success because it shows, for the first time, that spelling variations can actually be used to express differences systematically. The findings are important for marketers and other people responsible for brand naming because they provide a new tool for predicting what a brand name will communicate, and suggest simple ways to achieve maximum visibility and attention from consumers.

— Will Leben and Greg Alger, Lexicon Linguistics